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With Needle and Brush: Schoolgirl Embroidery from the Connecticut River Valley, 1740-1840 ReviewWith Needle And Brush is published by the Florence Griswold Museum and stems from an exhibition at that same museum. It features schoolgirl needlework samplers, coats of arms, memorials, and scenic pictorials, all of which demonstrate that the Connecticut River - the largest river in New England - and its environs bred a sophisticated culture despite this watershed's agricultural roots. Schools such as Goodrich, Patten, and Deerfield produced female students whose projects demonstrated their education and patriotism, registered significant family dates and events, and also proved their worth to potential suitors.71 plates are described here, each on their own separate page and in full color. The text includes background on each identified stitcher, materials used, dimensions, any inscriptions in the patterns, and the occasional documentation affixed to the backs of the frames. Women of this era were clearly quite familiar with mixed media; the silk, cotton, and wool threadwork is embellished not only by watercolor painting, but also metallic threads, gold foil, gilt paper, graphite, ink, beads, spangles, and surprises such as chenille, fringe, and human hair.
While the introductory sections and the text accompanying each plate are ample and instructive, most of the beautiful photographs are woefully small in size. This is a shame, as students and admirers of the needle arts lust for full-page spreads and glossy close-ups. Certainly, the artists deserved as much.With Needle and Brush: Schoolgirl Embroidery from the Connecticut River Valley, 1740-1840 Overview
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