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George DeWolfe's Digital Photography Fine Print Workshop ReviewMy grandmother was a great baker. But everything she did in creating a pie or cake came from memory or intuition. When my mother tried to create written recipes of my grandmother's procedures, she was frustrated by quantities like a handful of something or enough of something. My mother really lost it when my grandmother told her to roll out some dough until it looked right. If you can't deal with this kind of instruction, George DeWolfe may not be for you.The book covers De Wolfe's recommendations for making a great digital print. I'd be overstating things if I said he never gives firm instructions but de Wolfe is more concerned with the feeling of a print than with specific rules. He says that there are six elements to control in making a print: cropping, contrast, brightness, color, defects and sharpness. He then proceeds to explain his workflow to deal with each of these issues, both globally and at a detail level.
This book is aimed at advanced users of Photoshop. Quite often the instructions that he gives to create a desired effect contain only the most significant steps in the process, leaving it for the reader to fill in the gaps. Occasionally he says that he is telling you all you need to know to use a particular Photoshop tool. For example he says that all you need to know to use the curves tool is that moving the curve upwards increases brightness and moving it downwards decreases brightness. That's hyperbole because there are other important functions of the curve tool that make it easier or more effective to apply.
DeWolfe sometimes favors some rather idiosyncratic tools to process images. Photoshop usually offers several approaches to accomplishing a task, but DeWolfe often selects the more unusual. For example DeWolfe prefers the use of the history brush to masks to effect adjustments to the image. He also suggests several procedures that other experts find problematic. For example, he says that, as a result of the nature of digital photography, detail sharpening is important early in the process as opposed to edge sharpening at the end of the process. Some other experts are less accepting of this approach.
I expected that a book called a workshop would require some participation by the reader beyond just reading. This might be tutorials or at least sample images to follow along with the text. Particularly when the author suggested some procedure that was counter-intuitive for me, it would have been nice if there had been an image to work from, either from a CD or downloaded from the internet.
DeWolfe regularly suggests that a Photoshop plug-in that he authored is the solution to a problem. I always wonder how impartial an author is when he suggests that you buy a product that he sells.
If you are just getting comfortable with Photoshop but want to move into more advanced techniques, I suggest starting with Rob Sheppard's "Outdoor Photographer Landscape and Nature Photography with Photoshop CS2". Its lessons are applicable to as many genres as DeWolfe's. On the other hand, if you are an experienced user and able to fill in the blanks when DeWolfe is skipping along, and if you are comfortable enough with Photoshop to decide whether you want to accept DeWolfe's techniques, this book will help you to examine your notions, get a better handle on a logical workflow and perhaps even learn procedures that are more useful to you then those you presently know.George DeWolfe's Digital Photography Fine Print Workshop Overview
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