Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction) Review

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Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction) ReviewThis book is stocked as reference in a classroom situation. Lots of detailed information on many techniques in an easy to follow manner along with detailed photographs. Detailed recipes for etching solutions and description of appropriate use. Great for the novice but also valuable as a reference. Lots of valuable information for a small price.Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction) Overview

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Monotype: Mediums and Methods for Painterly Printmaking Review

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Monotype: Mediums and Methods for Painterly Printmaking ReviewThis book is a valuable resource of methods used in making monotypes. Ms. Ayres reviews every aspect of making a monotype from the tools, the ink or paint, and the process of transferring the image. All the printmaking terms used when describing this art are expertly explained and illustrated. It is clearly not a medium restricted to artists familiar with printmaking. The work of many artists are presented along with the ingenuity they have used to transfer their work. A very valuable resource book both for the artist and those wishing to learn more about this art form.Monotype: Mediums and Methods for Painterly Printmaking Overview

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Print & Stamp Lab: 52 Ideas for Handmade, Upcycled Print Tools (Lab Series) Review

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Print & Stamp Lab: 52 Ideas for Handmade, Upcycled Print Tools (Lab Series) ReviewDon't judge this book by its simple cover. It's not as elementary as it appears. Certainly, the techniques can be adapted for use in children's art, but the book could be useful also for collage artists wanting to create 2 dimensional texture and even art quilters, using different paint mediums, but applying the same techniques. The instructions are simple, but the applications can be as comlicated as you like.
While Traci Bunkers selects her materials from common household and office products (some of them quite unexpected) it would be possible to venture into using materials from nature such as leaves, seeds and grasses. The author confines her examples largely to small blocks, but it is also possible to apply her ideas to larger formats such as collagraphs.
As the author says, "The gallery is meant to be an inspirational jumping off point to show how everything you have learned can be put together and used artistically on just about any surface imaginable." Her gallery includes examples of printmaking used with stationary, candle holders, book covers, shoes, purses and totes. But you could also use the same printmaking techniques for place mats, cushion covers, floorcloths and mixed media wall hangings.
As an abstract artist, I will be adapting the techniques to create three dimensional effects by stamping various textures into modeling paste.
As Traci says, "The sky is the limit."Print & Stamp Lab: 52 Ideas for Handmade, Upcycled Print Tools (Lab Series) Overview

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Print Workshop: Hand-Printing Techniques and Truly Original Projects Review

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Print Workshop: Hand-Printing Techniques and Truly Original Projects ReviewMy creative undertakings in the past have consisted in buying creative things made by o-t-h-e-r people - like one of my faves, Christine Schmidt at Yellow Owl Workshop. But her book is so clear and thoughtful AND easy that she has me succeeding in making really neat things myself! I have finished three projects from her book and my only problem is that no one who knows me believes that I made them. She knows what she is talking about and makes it doable - even for people with high hopes and limited artistic confidence. I have been a fan of her for work several years and am even more so now as she has managed to make me see myself as creative too! (I'll still be buying her cards and jewelry and ceramics, though.)Print Workshop: Hand-Printing Techniques and Truly Original Projects Overview

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A Brush With Animals: Japanese Painting 1700-1950 Review

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A Brush With Animals: Japanese Painting 1700-1950 ReviewAny college-level art library strong in Japanese arts needs A BRUSH WITH ANIMALS, which was compiled from collections of members of the Society for Japanese Arts (both private and public museum collections are members). It pairs essays explaining the stories and legends behind the animal imagery with background information on the social and artistic context of Japanese hanging scroll paintings, and will appeal to artists, collectors, and any with an interest in Japanese art with its powerful survey.
Diane C. Donovan
California BookwatchA Brush With Animals: Japanese Painting 1700-1950 Overview

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