Drawing Made Easy: Getting Started: Discover your "inner artist" as you explore the basic theories and techniques of pencil drawing Review

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Drawing Made Easy: Getting Started: Discover your "inner artist" as you explore the basic theories and techniques of pencil drawing ReviewDon't be misled by this book's small size! Carol Rosinski is a knowledgeable, gentle authority who will take you by the hand and talk to you while you "get started" learning to draw. From the preliminary basics (pencils, paper and erasers) to discussions of line, shape and form, and then on to more advanced topics such as combining multiple images to create a subject and using a computer to emphasize different elements in a drawing, Getting Started gives concrete advice and tons of encouragement every step of the way.
Rosinski goes beyond simple demonstration to explain the reasons and feelings that make each element essential to a good drawing. She never wants you to accept what she says as true just because she says it: she wants you to experience for yourself the point she is discussing. For example, to the perennial beginner's question ("How much detail should I include?"), she offers pairs of drawings designed to be viewed at different distances (p. 43) and asks you to reflect on what you see.
Any good drawing book will stress the importance of locating the light source in a scene and understanding how light defines objects and their shadows, but Rosinski is not content simply to make those statements and leave it at that. Instead, she presents photographs of a large pumpkin taken at 5 different times during the day, so that the reader can actually see the effects of changes light on an object. Similarly, her discussion of shape and the importance of positive and negative space begins with an exercise in which the student "deconstructs" a photograph by cutting around the main subject and separating it from its background. By completing this exercise (or viewing the excellent photographs Rosinski includes as illustrations), the student can see exactly how line functions to define an object's shape as well as how it serves as a boundary between positive and negative space.
With such an able guide at hand, you'll have no trouble "getting started" on a drawing project! This book is a "must have."Drawing Made Easy: Getting Started: Discover your "inner artist" as you explore the basic theories and techniques of pencil drawing Overview

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The Materials of the Artist and Their Use in Painting: With Notes on the Techniques of the Old Masters, Revised Edition Review

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The Materials of the Artist and Their Use in Painting: With Notes on the Techniques of the Old Masters, Revised Edition ReviewWhile most curriculums today in art schools will have the words conception underlined, there is a desparate need for the craft of painting to be taught. If you do not want to wait until craftsmanship comes back in style and are a painter, than you must have this book. If you are learning how to better understand the painters of yesterday; you must have this book. If you are curious as to how painters such as Vermeer etc could accomplish want they did, this book is for you. Though the language is sometimes formal the information is so fascinating and inclusive it makes for great and enjoyable reading; Painter or just admirer.The Materials of the Artist and Their Use in Painting: With Notes on the Techniques of the Old Masters, Revised Edition Overview

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The Encyclopedia of Oil Painting Techniques: A Unique Step-by-Step Visual Directory of All the Key Oil-Painting Techniques, Plus an Inspirational Gallery Showing How They Can Be Put into Practice Review

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The Encyclopedia of Oil Painting Techniques: A Unique Step-by-Step Visual Directory of All the Key Oil-Painting Techniques, Plus an Inspirational Gallery Showing How They Can Be Put into Practice ReviewThis book is a very complete introduction to painting and the many various ways paint can be applied to a surface. The thing I liked best about this book is that it uses more then one artist to illustrate the different painting applications. I have had this book for years and it is my favorite reference book.The Encyclopedia of Oil Painting Techniques: A Unique Step-by-Step Visual Directory of All the Key Oil-Painting Techniques, Plus an Inspirational Gallery Showing How They Can Be Put into Practice Overview

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Everything You Ever Wanted to Know About Watercolor Review

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Everything You Ever Wanted to Know About Watercolor ReviewIf my experience is typical, then most beginners watercolor havent the slightest idea what an amazing range of visual expression is possible with watercolor...even with a novice's palette of nine colors.
This wonderfully illustrated anthology of techniques provides both inspiration and instruction. Starting from the beginning, with tips on choosing paper, brushes, paint, and which colors to use to set up a novice, intermediate and advanced working palette, the book then moves on to cover hundreds of well-illustrated micro-lessons in watercolor techniques. These lessons are organized in sections:
Color
Basic Painting Techniques
Textures & Special Effects
Collaging & Other Unusual Techniques
Artistic Principles
Perspective
Landscape Painting
Figure Painting
Flowers
Each section has 15 - 30 lessons, each of which is illustrated with color photographs and good text instruction, and often with a series of photographs to show how the artist progresses to achieve the desired effect.
This book shows there is a wide array of special techniques and effects that can be achieved in watercolor that you could never dream of in acrylic or even oil.Everything You Ever Wanted to Know About Watercolor Overview

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How to Paint Like the Old Masters Review

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How to Paint Like the Old Masters ReviewI first saw this book at my local bookstore a few years ago. The paintings presented in this book consolidated my love of classic fine arts (AKA the Old Masters' works). At the time, I did not have enough facilities to pursue oil painting, I simply admired beautiful works by Mr. Sheppard and put the book back to the shelf. Briefly, my conclusion of his work at the time was "unreachable".
I recently bought a copy of this book for myself and in fact have painted, as a practice, some paintings, using the techniques of Titian (both portraiture and nude) described in the book. I fall in love with the techniques of this Old Master simply because the choice of colors and every steps were done in oil (personally, I don't like to use charcoal or other materials in underpainting; they tend to smear and cause a mess). The following are my humble opinions about this book, based on my own experience using it:
1) Don't kid yourself, this is a profound book. Objectively speaking, with only 143+ pages, the author covers the following topics: - Materials and Formulas - Techniques of Durer, Titian, Veronese, Caravaggio, Rubens, Hals, Rembrandt, and Vermeer
Due to space limit, expect some details that may need more in-depth discussions. However, the book does include a reference citation for further reading.
2) This book does not make you a "Master", but it helps to "try out" these techniques. In my humble opinion, to fully benefit this book, the reader should have the following skills before trying the techniques described in the book:
- Good craftmanship. Don't expect to create a masterpiece without a decent drawing skill to start with. Be honest with yourself, if you think you have a problem looking at an object (either live or from a photo) and render it on a canvas, you are not ready for this book yet.
- A reasonably decent ability in recognition of shade, light, and halftone; and a considerable knowledge of color mixing in oil. If you have never mixed oil colors, the book does provide, to some extent, what colors to use. However, in reality, variations occurred, due to different brands of colors or medium used. In any event, you might be able to get by.
3) Practice makes perfect. Do a few paintings using the techniques of your choice. You will eventually find out that no matter how strictly do you follow the techniques described in the book, YOUR WAY of painting will end up different. This is exactly what makes every artist unique. As long as your final work is good, it is a masterpiece of its own right. Who cares whether you tried to be a Titian or Rembrandt and failed. After all, that is even not a good idea, in my opinion.
In closing, I am happy to have purchased this book and tried out some paintings for myself. It surely is a great reference every time I plan to do a portraiture in the Old Master's way (but then again, when the painting is done, it becomes "my" way).
In a few words, "Strongly recommended".How to Paint Like the Old Masters Overview

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Watercolor Painting For Dummies Review

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Watercolor Painting For Dummies ReviewWatercolor Painting for Dummies is a great book for both beginners and artist who just need to brush (no pun intended) up on the fundamentals of w/c painting. If you're looking for a book to give you all the information you need because you are just beginning, this is it. This book is chock full of everything you need to know and everything they teach in art class.
Another good thing about this book is you don't have to start from the first chapter and read from there (unless you are a beginner).
And there are several projects you can paint "along" with.
This is a good book to have and refer back to again and again.Watercolor Painting For Dummies Overview

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Sisters of the Brush: Women`s Artistic Culture in Late Nineteenth-Century Paris Review

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Sisters of the Brush: Women`s Artistic Culture in Late Nineteenth-Century Paris ReviewGarb does an excellent job of placing art produced by female artists within the context of the institutional history of the Union des Femmes Peintres et Sculpteurs. She explains how this organization relates to the work women artists produced and that the Union provided a much needed exhibition venue for women artists. Especially interesting is Garb's work on female nudes that women exhibited in the Salon des Femmes and the types of nudes that women artists produced for this specific context.Sisters of the Brush: Women`s Artistic Culture in Late Nineteenth-Century Paris Overview

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