Draw & Paint Fantasy Females Review

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Draw & Paint Fantasy Females ReviewImpact, which publishes art instructional books, generally does a good job with the books they print; some are of better quality than others, however. "Draw and Paint Fantasy Females" is a decent how-to-draw book, but unexceptional, though it does offer a few good tips.
What this book won't tell you, and what every artist must eventually learn, is no single book will fully teach you how to draw anything, let alone the human figure. A book can give you a good start and provide some inspiration, etc., but you will need many books and years of practice before you master drawing.
With that said, Tom Fleming, the writer/artist of this book, who is obviously talented (I've seen his work in other venues previous to this book) does a decent job of outlining the process of drawing and painting the female figure. The book is divided up into five chapters and closes with a gallery of Mr. Fleming's work. It is, basically, of the "omnibus" type of how-to-draw books, which, instead of focusing on a couple of techniques, really tries to teach them all and spends about 2 pages on each. Here you'll find discussions of drawing and painting supplies and techniques, anatomy and figure construction, poses, drawing the face, hair and clothing, and also different female character archetypes (sorceress, warrior, faerie, etc.). However, each of these segments is only covered superficially, in general, though there are good tutorials and worthwhile pieces of advice sprinkled about.
Probably the most useful bit of information that is included are Mr. Fleming's techniques for drawing and painting metallic effects and for putting shine on clothing. I've never seen these very challenging topics covered so well in a book before, and those are what sold me on this purchase.
In closing, "Draw & Paint Fantasy Females" is a generally good book on drawing, but tries to do too much in too small a space. However, it is worthwhile for its excellent tips and for its general quality.Draw & Paint Fantasy Females Overview

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The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques) Review

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The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques) ReviewOK, so the format of this page only allows you to give one rating, indiscriminating of what kind of readers the book is aiming towards. I'd like more details, as the following:
1) 5-star for self-taught and beginning oil painters.
2) About 3.5 -> 4-star for intermediate oil painters.
3) Nice to own as a reference book for advanced and accomplished. No rating necessary.
So, there you had it. If you are new to oil painting, this book is a nice and PRACTICAL guideline on presently commercially available materials (including oil paints of different brands, oil sticks, oil mediums, solvents, varnishes, supports, brushes, tools, etc.. - you know, "oil materials").
This book is also a good coverage of "basic" oil techniques. These include the process of going from drawing to painting using charcoal, pastel, conte' crayon; as well as "basic" oil painting techniques such as sketching, alla prima, wet-on-wet, etc... Perhaps the most talked-about feature of the book is the chapter about glazing and scumbling. Yep, those "Old Master's techniques". To be fair, this is not the only book that covers the Old Master's techniques. However, it does provide the readers with detailed demonstrations on creating paintings using glazing techniques. In addition, a discussion on presently available TRANSPARENT oil paints (necessary for glazing) is about the most charming thing in the book.
Finally, a chapter about alkyds, oil sticks, and water-miscible oils sums up this book for readers who enjoy alternative media; along with a list of suppliers for practical purposes.
For advanced painters who enjoy more thorough discussions on oil materials and painting techniques, I suggest that they go for a more thorough (and less pictorial) title, such as "The Artist's Handbook of Materials and Techniques" by Ralph Mayer, from which some information in this book is derived.
As for the comments about "poor" drawings and paintings in the book, I hate to admit that there is some truth to them. In my opinion, the author mainly focussed on the technique (rather than presentation) side of the issue. As a result, some of the final paintings look like "child's play". Ironically, readers sometimes see "how great the book is" just by "how great the paintings in the book are".
In terms of "the bottom line", you may "go no wrong" owning this book. If this is the first oil technique book you consider owning, then go for it. For others, it serves well as an additional title to your art library, although some may live just fine without it.The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques) Overview

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Painting with Water-Soluble Oils Review

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Painting with Water-Soluble Oils ReviewI feel a lot of the book was redundant, too much repetiton was used -- I believe it was to fluff up the page count. I'm new to oil painting all together and was looking for a book that would teach me to paint with this medium - for example, help me understand when I would thin with water, or when with watersoluable linseed oil. I thought that the promised "step by step demonstrations" would do that. Contained in only one chapter of the book, they seem almost an afterthought, and do not go into enough depth.
There is an entire chapter devoted to "what is watersoluable oil color?" There are 20 pages -- which is far too much information -- about the properties of every watersoluable oil paint by color and manufacturer, though there are some useful demos of the various marks different brushes and knives make.
The book contains more than I want or need to know about the processes by which watersoluable oils are created.
By far the lengthiest chapter is the one which showcases 14 different artists who try out this medium and provide some tips, which may be useful. But I believe its primary purpose is as a showcase for the various artists. There are some useful tips here, but much of what is said is repetition from one artist to another - and that gets boring! In some ways I am more confused than ever, having learned that some of the artists shown aren't painting soley with watersoluable oil paint - they are using the oils in combination with watercolor or acrylics or sometimes using all three together!Painting with Water-Soluble Oils Overview

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Luminous Brush: Painting with Egg Tempera Review

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Luminous Brush: Painting with Egg Tempera ReviewWhile I own and have read Daniel V. Thompson, Jr.'s book The Practice of Tempera Painting I'm glad I have Sultan's book as well. I don't know how hatching and cross-hatching can be construed as "uninspired" since this is the traditional method egg tempera artists employ to create paintings. Neither is Sultan's book a "dumbed-down" instruction manual of Thompson's book. The Luminous Brush is a complete book on egg tempera painting itself. The one main technique Thompson's book covers which The Luminous Brush doesn't is gilding.
The Luminous Brush will appeal to people who appreciate the many step-by-step photos showing how to prepare your own grounds, the amount of pigment paste to egg yolk to water ratios, etc. The author provides exercises for the reader using ink and/or gouache for practicing egg tempera painting techniques so the transition to egg tempera itself will be easy. There are chapters on painting landscapes, skies, rough and smooth textures as well as a chapter showing new experimental approaches to egg tempera painting by guest artists. There is a bibliography and sources selling pigments, grounds or other materials for use in egg tempera painting.
Unless you are planning to employ gold gilding in your egg tempera paintings or want to read chapters on which paint pigments to buy that were current as of 1936 (some now known to present health risks and made obsolete by safer, lightfast alternatives) The Luminous Brush will be just fine for anyone wanting to get started.Luminous Brush: Painting with Egg Tempera Overview

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