The Drawing Bible Review

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The Drawing Bible ReviewI do not know what kind of background the previous reviewer has but as artist and art teacher I highly recommend this book. The idea of valuing it according to price, like some kind of bean counter is absurd.
The book covers the fundamentals and the drawings are superb. It is easy to carry and also serves as a continuous source of style and inspiration.
As for the price it is worth every penny. If you want beautiful though realistic images to act as an ideal and have enough intelligence not to need Parental consent to see the nudes in the book please DISREGARD THE FATUOUS AND INCREDULOUS REVIEW ABOVE.
The book dose exactly what it claims and dose so with great art, style and composition. Craig Nelson is one of the most accomplished draftsman of this era and has made, and shows great choices.
Need to be taken by the hand through everything pertaining to drawing then head for your nearest art school, as no book can do what a serious series of classes in drawing fundamentals can do. However don't trash a perfectly fine and inspirational book for the price or the heck of it.
And, yes I do own the book and am very pleased with it. So are my many students.The Drawing Bible Overview

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Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present Review

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Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present ReviewFor artists pursuing high quality art this is for you.
This book is technically correct, fully researched and invaluable in a genre where a lot of the books are light on information.
Virgil Elliott manages to communicate the real methods used by masters - past and present. Not an easy feat. He has disseminated quality knowledge with brevity. There is a no nonsense handling in his voice that is packed with experience which makes easy reading for anyone with an inclination for the brush.
What I particularly like about the book is its' detailed and straightforward information backed by visual demonstration. You won't find much irrelvant information here. This man knows what he's talking about and communicates so, par excellence.
The picture quality and choice of selection is revealing and appropriate making them relevant to his discussions.
If there can be any fault found and I don't think this is incredibly bad, the author just doesn't tell you how to paint an apple, or a jug or flower, which if you've come this far in your quest for artistic quality-you probably don't need to be told again.
Really this book is a classic and is destined to become an essential resource for students and professional painters alike. Virgil Elliot's years of experience and practical reasoning are apparent in the quality of writing. I thoroughly recommend it. It is a MUST have.
To add, for fans of the great William Bourguereau there is also a section and demonstration of his method-a GREAT credit to the author for this - I have never come across this generosity before.
Virgil Elliott has stripped away the layers and given it all to you here.
Well done.
[...]Traditional Oil Painting: Advanced Techniques and Concepts from the Renaissance to the Present Overview

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How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) Review

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How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) ReviewThe book is amazing and includes some great tips on how-to...Illustrations are very pretty, the author is obviously talented...but that's about it for the good part...
If you are a beginner or do not have a background in arts you probably won't find that book very useful.
The author expects you to have the advanced drawing and painting skills, that's why he does not explain the details of line weight, texture making, color choosing (etc, you continue it:).
The other thing I did not like about the book is that the author uses the most advanced technology to create digital illustrations. I found myself struggling with applying his tips for using the tablet to my decent bamboo. He used and explained how to use the intuos cintiq which (unless you are a professional illustrator) you probably don't have (and you probably don't need it if digital drawing is just a hobby for you (costs about $2000)).
Anyways, great book for inspiration, and good tips for artists, although, beginners won't find the book that useful.
Apologize for any mistakes:)How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) Overview

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Painter's Handbook: Revised and Expanded Review

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Painter's Handbook: Revised and Expanded ReviewAs a painter, this book has been a reliable and useful reference for just about everything to do with oil painting along with recipes for a large variety of paints and means of methods of framing, matting, crating, varnishing, and other practical matters. This said, painters not primarily interested in oil, might be able to find a book better suited to them elsewhere, but, for oil painters, this book is an asset.
A final note, the person who claimed this book to be too dry and without illustrations should be disregarded, this is not a picture book for the entertainment of children but a comprehensive handbook for serious painters.Painter's Handbook: Revised and Expanded Overview

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How to Draw What You See (Practical Art Books) Review

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How to Draw What You See (Practical Art Books) ReviewThe beginning of this book and the idea behind it are simple and straightforward: behind every object you see there is some "skeletal" figure made of simple geometric shapes - the cube, the cone, the cylinder and the sphere. If you know how to draw these and string them together you can in theory make any drawing you want. Sounds simple, right? Well, it is. Only the book doesn't fully realize its potential.
The first part of the book which deals with these basic shapes, how to draw them, shade them, etc ... starts out well enough. But by the time the author reaches the more advanced subjects, such as drawing nature, portraits and the human figure the book degenerates into yet another book filled with the author implicitly saying, "look at how well I can draw!", filling pages upon pages with finished, beautiful drawing a beginner can never hope to achieve. For example: when discussing feet and hands, the author provides two drawings of the foot and briefly tells the student he should observe the foot and note its proportions. Really? And I thought I should stand on my head and sing the star spangled banner. Sorry for the sarcasm, but that is not an acceptable way of teaching how to draw the foot.
Another example: when discussing figure drawing the author does not explain the figure's anatomy. Rather he says how he has followed his 14 years old daughter around the house and drew her in various natural positions. The reader is then presented with the final sketches, which by the way are very beautiful sketches. How did he achieve them? What are the principles he followed? How should one go about practicing sketching people? That the book does not reveal.
It seems to me the main problem of this book is that it tries to do too much - portraits, still life, landscapes, charcoal, wash, all in one short book? The more topics you choose to cover, the less space you can devote to each. I think it would have been much better had the author devoted more space to basic issues such as perspective, shading and textures, rather than rush headlong into complex topics. As it stands I cannot be sure whether it is intended for absolute beginners or advanced students.
In short, this may be a good source for inspiration or for tips for people on many levels, but definitely not your main source of information.How to Draw What You See (Practical Art Books) Overview

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The Complete Oil Painter: The Essential Reference for Beginners to Professionals Review

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The Complete Oil Painter: The Essential Reference for Beginners to Professionals ReviewThis book shines among my collection of around 25 books on oil painting technique collected over the past few years during an intense period of self-teaching. I wish I had found Mr. Gorst's book sooner, because of the book's comparitively superior organization and its excellent and carefully chosen technical descriptions with many detailed photos. Included are concise but thorough descriptions and photos of diverse oil painting materials and techniques with insights into the whys and hows of various combinations depending on your desired final effect. Any admirer of the Masters will appreciate Mr Gorst's correlations between his descriptions of various painting techniques and his references to well-known artists who historically used such techniques masterfully. Rarely have I seen an almost side-by-side comparison of multiple, diverse painting processes, from delicate glazing through bold impasto, and the various and subtle combinations possible between. The writings are articulate, clear and concise, and I'm a tough editor. I think this book could be an excellent technical reference for an established artist (which I am not), and the book would be particularly useful to anyone who is still struggling to find his or her preferred technique through experimentation with the diverse materials and style options available.The Complete Oil Painter: The Essential Reference for Beginners to Professionals Overview

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