Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Drawing & Painting Fantasy Beasts: Bring to Life the Creatures and Monsters of Other Realms Review

Drawing and Painting Fantasy Beasts: Bring to Life the Creatures and Monsters of Other Realms
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Drawing & Painting Fantasy Beasts: Bring to Life the Creatures and Monsters of Other Realms ReviewI bought the Drawing & Painting Fantasy Beasts and the Fantasy Figures books for our high school library. The kids really enjoy them and so do I. I just signed on to see what else might be in this series and to order more copies. While these books may not appeal to everyone (not enough step-by-step for true beginners), the layout and abundance of good pictures and ideas will grab most readers and artists.Drawing & Painting Fantasy Beasts: Bring to Life the Creatures and Monsters of Other Realms Overview

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The Illustrator's Bible: The Complete Sourcebook of Tips, Tricks and Time-Saving Techniques in Oil, Alkyd, Acrylic, Gouache, Casein, Watercolor, Dyes, ... Pastel, Colored Pencil and Mixed Media Review

The Illustrator's Bible: The Complete Sourcebook of Tips, Tricks and Time-Saving Techniques in Oil, Alkyd, Acrylic, Gouache, Casein, Watercolor, Dyes, ... Pastel, Colored Pencil and Mixed Media
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The Illustrator's Bible: The Complete Sourcebook of Tips, Tricks and Time-Saving Techniques in Oil, Alkyd, Acrylic, Gouache, Casein, Watercolor, Dyes, ... Pastel, Colored Pencil and Mixed Media ReviewSo many self education books for artists claim to be definitive, comprehensive, or the only book you'll ever need. I don't know if this is the only book you'll need, but it is a cheaper alternative to paying tuition at an art college. And, unlike many how-to books (and some art colleges), Rob Howard gives very specific and detailed instructions. He's light on the motivational inspiration and heavy on technique. Afterall, a working illustrator (the book's target) doesn't need to get in touch with the inner artist, but rather needs tools to get the inner art out onto the client's desk.
Additionally, Rob Howard is quite talented. Often times people with Howard's gifts are so busy with paying customers that they don't have time to put together such a quality book. Every illustration is professional quality and an inspiration in itself!
The book is packed with photos and illustrations. He lists by name and sometimes manufacturer exactly what materials you need. Covers topics from Prismacolor pencils on Denril to Friskets and masking to pastels, acrylics and airbrushing....etc.
It's only weakness is that it's due for an update. First published in '92 before the internet explosion and before Adobe Photoshop and Synthetik Studio Artist became powerful enough computer based tools, this book focuses entirely on natural media. Just the same, an illustrator looking to set him or herself appart from the pack might want to set aside the software and use the proven techniques in this book!The Illustrator's Bible: The Complete Sourcebook of Tips, Tricks and Time-Saving Techniques in Oil, Alkyd, Acrylic, Gouache, Casein, Watercolor, Dyes, ... Pastel, Colored Pencil and Mixed Media Overview

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Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush Review

Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush
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Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush Review"Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush" by Derek Lea is a wonderful book for those who are looking to incorporate Photoshop to their illustrators, 3D work or painting projects.
I recommend this book for those who are past the basics of Adobe Photoshop and those who have dabbled and own the software mentioned below. It's important to note that the author is using CS4 for these projects.
The chapters are:
CHAPTER 1: Sharp Edges and Painterly Blends (Adobe Photoshop CS4 & Illustrator CS4)
CHAPTER 2: 2D Textures and 3D Vectors (Adobe Photoshop CS4 & Illustrator CS4)
CHAPTER 3: Live Trace and Pathfinder Effects (Adobe Photoshop CS4 & Illustrator CS4)
CHAPTER 4: Hand Painted Magic (Adobe Photoshop CS4 & Painter 11)
CHAPTER 5: Create an Old Master (Adobe Photoshop CS4 & Poser 8)
CHAPTER 6: The Best of Both Worlds (Adobe Photoshop CS4 & Cinema 4D 11)
CHAPTER 7: Sculpting Raw Materials (Adobe Photoshop CS4 & ZBrush 3.2)
The first step is to go to the website for the book and download the project files and from there, begin following the instructions laid out in the book. Instructions are very thorough and one of the reasons why this book has only 7 chapters is because it's thorough and Derek Lea does a fantastic job explaining each step.
The good news is that with each step, there is a picture of the artwork and the tool on the software being used, so you can see what is being selected.
If anything, this is a book that works well for those who are at the intermediate level. Beginner level, it all depends on how fast you learn and your familiarity with other software. And this is where the book has its caveat and that is one may own Illustrator but then not own the other software and thus making the other chapters obsolete until you get it.
Even for me, I've purchased and owned only four of the software, so I can only go up to chapter 5. And I assume that many people will be in the same boat.
There are awesome techniques from Derek Lea but it's a book that will be subjective to the user because you need these software to work the project files. Also, it depends on how current your software is. Granted, if you know the software well, you don't need the latest versions and do your own personal workaround.
Overall, "Beyond Photoshop" is a book that is well written and definitely handled quite well by the writer Derek Lea. It would be great to have multiple "Beyond Photoshop" books that focus on Photoshop and one software rather than one book featuring techniques with several software, because it limits the user to the software they own. If you only own Photoshop and Illustrator, you only have three chapters to work with.
This book does favor Photoshop/Illustrator with three chapters and one for the others. So, in a way, I wish there were 3 chapters dedicated to Photoshop + another software each to make the book balanced (if it was well-balanced, this book would receive a 5-star rating) but since it's not, I'm only going to give it three stars. But it's a very good book, it's a well-written book but unfortunately, it's limiting.
It's a solid book but if you intend to buy this, make sure you have the software, so you can utilize each chapter.Beyond Photoshop: Advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush Overview

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Illustrator CS3 for Windows and Macintosh Review

Illustrator CS3 for Windows and Macintosh
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Illustrator CS3 for Windows and Macintosh ReviewThis manual provides someone just getting started using Illustrator with clear explanations for each menu option, tool, and function, along with step-by-step instructions on how to use them. All the other manuals inevitably assume that the reader is familiar with earlier versions of Illustrator and take too much for granted. The tool-by-tool organization and step-by-step instructions of this manual are refreshingly clear and specific, and tell the reader exactly how to use this powerful software.Illustrator CS3 for Windows and Macintosh Overview

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Digital Fashion Illustration with Photoshop and Illustrator Review

Digital Fashion Illustration with Photoshop and Illustrator
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Digital Fashion Illustration with Photoshop and Illustrator ReviewThis is a nice book of examples of what you can do with fashion illustrations. I expected it to give more tutorials on how-to create designs and more. It didn't really give much instruction and overrall, the book is very disappointing. If you want a book for inspirational reasons and not technical instructions, then I'd recommend this book. However, it was not for me.Digital Fashion Illustration with Photoshop and Illustrator Overview

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Natural History Painting: With the Eden Project Review

Natural History Painting: With the Eden Project
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Natural History Painting: With the Eden Project ReviewI ordered this book, not knowing what was really inside. I am pleasantly surprised. As an artist for over 40 years, I know that the materials information is excellent. It gives you choices on what to buy, shows you the difference between different brands, tells you how to set up and care for your equipment, even gives you exercises in becoming familiar with the different pencils, brushes and paints. Next, it tells you how to approach a subject, what you should know about the subject and where to find it, even has you list adjectives that you need to keep in mind as you draw a subject, then takes you through an exercise that is really a journey of drawing a subject, the steps from blocking in to refinement to the final shading and highlighting, including texture. It tells how to start a sketchbook and has an exercise, like in all the chapters. The chapter on color theory and mixing is fantastic. It shows you how to mix all the colors you need from the 6 paint colors recommended in the materials chapter, and shows color pages of exercises of allot of color mixes. Every exercise is really wonderful for both the beginner and advanced artist that needs help with natural history painting. It even includes directions and and an exercise in mixing those numerous greens that are so essential in depicting nature accurately. In the chapter on painting, the examples are in watercolor, the most widely used medium of natural history painters. It even illustrates, in color, the most common mistakes on handling your water and gives you exercises for practice on handling water and paint for the best results. There is a nice chapter on examples and exercises on handling texture. Then the author uses the rest of the book to address numerous natural history subjects, each with it's own chapter, i.e. rocks, bird and their feathers, bugs, sea-life and spirals, bones, a great chapter on iridescence, and finishes up with a chapter on display and mimicry. The last chapter encourages you to use your knowledge in lots of other ways, from sculpture and mathematics to applied and fine art to decorating a gorgeous wedding cake through to drawing and painting greeting cards. Anyone interested in natural history would enjoy this book, but for those of us who are fans of natural history books like "Pilgrim at Tinker Creek" by Anne Dillard that have been itching to draw and paint the subjects we find so fascinating, this is a great place to start. You know how it is in studying natural history, the more you know, the more you have to learn. Painting natural history subjects is a great way to learn about them. You don't really know a subject until you are forced to look close at the intricate details and try to depict your subject by drawing, painting, and modeling a sculpture that represents it in realistic art.Natural History Painting: With the Eden Project Overview

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Drawing & Painting Mermaids (Fantasy Art) Review

Drawing and Painting Mermaids (Fantasy Art)
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Drawing & Painting Mermaids (Fantasy Art) ReviewGreat book full of beautiful easy to understand illustrations and teachings. Defiantly worth the 20 bucks! I bought it for my 12 year old daughter and its so good both her and I love it.Drawing & Painting Mermaids (Fantasy Art) Overview

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The Art of Botanical Drawing: An Introductory Guide Review

The Art of Botanical Drawing: An Introductory Guide
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The Art of Botanical Drawing: An Introductory Guide ReviewYou need a good set of watercolors and some experience in painting in order to use this book. I am an art hobbyest who is interested in drawing flowers and other plants, therefore, I thought this "Introductory Guide" would be helpful to me. In fact, it is one of four such books that I recently bought from Amazon on this subject. (will post reviews on the other ones soon). While this book is at least as lovely as any of the others, it is actually all about watercolor painting.(Maybe it has something to do with the way the book was translated from the French?)
I work in graphite, pen-and-ink, colored pencils, and, newly, pastels. When I do branch out to watercolor I plan to first use my 16 pan Prang set from when I was in school. Where the book discusses materials, it depicts a professional watercolor set of FIFTY-THREE pans, and also, watercolors in tubes, such as professionals use. I'm sure I will be drawing (I mean "painting") plants with my good school Prang set soon, but you really do need a wide variety of pigments in order to get the full benefit of this book. **I just checked: such sets cost HUNDREDS of dollars**
On each beautiful two-page layout, a plant type is discussed (tiny type-face, though), gorgeous examples are shown, and a chart is presented with the names and swatches of the exact colors needed to render the subject. I've never seen this done, and it seems to be extraodinarily helpful. At the same time, this is no paint-by-number type of book, or one that teaches slavish copying.
Another thing I love about this book is botanical information it provides. Seeing and painting living plants is one thing, but to understand them, their anatomy and other characteristics is to add understanding and meaning to art work, in my opinion. (I hope to purchase a large "botany for artists" book sometime, too.)
Lovely book for watercolor artists. I don't think it is too short--there is plenty of information, and many types of plants and exercises. The type font is just rather small, especially when they use the script-style print. I can use my "readers glasses", but I can't do watercolors, so it was rather a waste for me.The Art of Botanical Drawing: An Introductory Guide Overview

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How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) Review

How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground)
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How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) ReviewThe book is amazing and includes some great tips on how-to...Illustrations are very pretty, the author is obviously talented...but that's about it for the good part...
If you are a beginner or do not have a background in arts you probably won't find that book very useful.
The author expects you to have the advanced drawing and painting skills, that's why he does not explain the details of line weight, texture making, color choosing (etc, you continue it:).
The other thing I did not like about the book is that the author uses the most advanced technology to create digital illustrations. I found myself struggling with applying his tips for using the tablet to my decent bamboo. He used and explained how to use the intuos cintiq which (unless you are a professional illustrator) you probably don't have (and you probably don't need it if digital drawing is just a hobby for you (costs about $2000)).
Anyways, great book for inspiration, and good tips for artists, although, beginners won't find the book that useful.
Apologize for any mistakes:)How to Draw Zombies: Discover the secrets to drawing, painting, and illustrating the undead (Fantasy Underground) Overview

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Illustrator CS4 for Windows and Macintosh: Visual QuickStart Guide Review

Illustrator CS4 for Windows and Macintosh: Visual QuickStart Guide
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Illustrator CS4 for Windows and Macintosh: Visual QuickStart Guide ReviewThis book is pretty and has lots of colorful images in it. There, you know the only thing I like about it. If you expect to learn how to use Illustrator on your own using this book, save your money and buy another one. It is confusing, poorly written, lacks proper directions, and provides neither a quick nor easy way to learn how to use Adobe Illustrator.
A quick note on the numerous glowing reviews. Note that many of these ratings are from students using the book to supplement a course. As purely a reference guide, this book is not bad. However, I bought this book "Learn Illustrator the quick and easy way" (as it says right on the cover) on my own. If you want a book to teach you how to get "started quick", avoid this "quick start" book. It's a waste of money.
After buying this book, I've come to find some other very well written books that are by far superior to this one that I can recommend. No, I'm not some marketer. If you don't believe me, head down to your nearest book store, pull these books side by side and you'll immediately see what I mean. I wish someone had asked me to do the same. It would have saved a lot of heartache.
Try Adobe Illustrator CS4 Bible by Ted Alspach. Read the section in Chapter 2 titled "Picasso Meets Illustrator" and you'll see what I mean. Also good is the Adobe Illustrator CS4 How-Tos by David Karlins. Just compare how he lays out the different document profiles on page 2 with the way Weinman and Lourekas do on page 3 of theirs. (It took two of them to get it that wrong).
My biggest complaint about this book is that it fails to teach at all. The book reads like a series of definitions of functions rather than tell you how to use the tool. To illustrate my points (pardon the pun... I couldn't resist) I've listed a few complaints below:
1. Images in the book are not accessible: Purchase of this book gives you access to the authors' "private" lesson files. One would imagine you'd have access to the image files used in the book to follow along with the various lessons. Good luck. No explanation of where these images can be found is provided. For example, on page 7, the book has an image of four playing cards, all aces. The lesson uses this image to show you how to add an artboard to your document. The instructions fail to tell you where this document is. In fact, you'll be hard pressed to find any access to these pretty pictures.
2. Poor directions: On page 3 'Creating a new document', the book states "From the New Document Profile menu, choose a preset for the medium in which you plan to output your file.". As a PC user, I'm looking in the menu at the top of the screen for some "New Document Profile" menu. There is not one. They mean 'drop-down list box'. And what the heck medium do I plan to output my file??? I'm just trying to draw something!! This book should be "guiding me" by saying, "Select 'Print' in the 'New Document Profile' listbox and click 'OK'".
3. Q: When do I get to draw?? A: Page 80!!! Yeah, you don't even learn how to draw freehand until chapter 7!! There's nothing quick about this quick start. In fact, you'll spend a lot of time reading painstakingly detailed tersely written prose about everything you don't need to know right away before you even draw anything at all. Without the context of a basic drawing, many of these concepts were not clear to me at all.
4. Spaghetti writing: Nearly anything you try to read about will reference a technical term you'll need to look up somewhere else. This term will usually also contain more jargon you'll need to look up and on and on until you've flipped through the entire book.
Example 1: page 7: Under "To add an artboard to your document", step 2 it says:
"Choose the artboard tool (Shift-O).
On the Control panel, click Document Setup, then click Edit Artboards."
I spent a long time a) trying to figure out what the "Control Panel" was and b) looking for the dag blasted Document setup button. The control panel is not described anywhere up to this point. Turns out, the control panel disappears once you hit Shift-O. The book is trying to show you two ways of doing the same thing. The layout of this is not clear.
Example 2: Page 72: "When you release the mouse, the rectangle or oval will be selected, and the current fill and stroke settings will be applied to it." Go to the index to see where you can learn about the Fill and Stroke settings.... Fills, Fill Patterns, and Fill Colors aren't covered until page 333, 131, and 111 respectively. That's right. The basic concepts of filling a shape with a color of your choice aren't covered in detail until much later. Even then, stroke or fill are only tangentially discussed as options in some other lesson. Trying to find what you need is extremely difficult.
5. Extra extra dry writing: This book reads like a dry college textbook on a subject that could be fascinating and engaging if it were written by someone who write as well as they were passionate about their subject. Example page 184: "If you target a layer or group, a "Contents" listing also appears on the Appearance panel. Double-click a Contents listing to display attributes that apply to the whole layer; or click a Group listing to display group attributes."
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Maybe I'm being harsh on the book, but I am in the IT industry and I own a plethora of technology manuals. This one has probably been the most frustrating to try and learn from.Illustrator CS4 for Windows and Macintosh: Visual QuickStart Guide Overview

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Enhancing Architectural Drawings and Models with Photoshop Review

Enhancing Architectural Drawings and Models with Photoshop
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Enhancing Architectural Drawings and Models with Photoshop ReviewI was so happily surprised by how good this book was as I went through the projects. It is concise, thorough and never boring.
My only nit picky complaint is with the publisher: they used very poor quality paper on this. Why they did that, I can't imagine
as it is the best I've read on enhancing one's CAD programs. And it is up to speed with the latest CS5.Enhancing Architectural Drawings and Models with Photoshop Overview

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Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities Review

Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities
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Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities Reviewim so dissapointed. i just bought this book FULL price and i put the DVD in, and im completely dissapointed. The dvd has nothing useful. I was expecting an abundance of video tutorials, but i dont see any, nor 'painter movies' like it states on the back of the book.
I've recently purchased painter, and ive been searching the web for days now. All ive found are tutorials on how to make a picture look like a painting. I'M NOT INTERESTED IN THAT! ARGH! It's becoming very distressing to me. I see that people work in painter and can produce great work, but where are some step by step guides??? Even the corel website is lacking, and when i have gone through the tutorials, they're either inaccurate or not in depth enough for me.
all in all, im just really dissapointed with the whole experience...maybe i should have gotten photoshop, there is a plethora of info regarding that. :(Secrets of Corel Painter Experts: Tips, Techniques, and Insights for Users of All Abilities Overview

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Interior Design Illustrated Review

Interior Design Illustrated
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Interior Design Illustrated ReviewAs an Interior Design student I was shown this book by a proffessor. I loved it and the beautiful renderings.I recommend this to anyone that is learning or just want to improve their rendering skills. I was thrilled to receive it for a graduation gift. CathyInterior Design Illustrated Overview

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OtherWorlds: How to Imagine, Paint and Create Epic Scenes of Fantasy Review

OtherWorlds: How to Imagine, Paint and Create Epic Scenes of Fantasy
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OtherWorlds: How to Imagine, Paint and Create Epic Scenes of Fantasy ReviewYep. There have been quite a few artbooks this year, and I liked a lot of them, in particular another very recent release, "Middle-Earth: Visions of a Modern Myth " by Donato Giancola, but this one is even better. It ranks alongside John Howe's artbook ( 2007) from Impact as the best one I have seen from this publisher, and alongside the great Charles Vess artbook from Dark Horse ( 2009) as my overall Fantasy art favorite.
Stunning, stunning illustrations. Needless to say I am a huge fan of Tom Kidd's work and if you are too, you will find here a vast array of dazzling work, as well as how-to instructions. Various topics are detailed, as you can also see in Amazon's search inside function. Kidd is one of the best illustrators the SFF field has ever had and this wonderful book underlines that even more.
Highly recommended.OtherWorlds: How to Imagine, Paint and Create Epic Scenes of Fantasy Overview

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Airbrush: The Complete Studio Handbook (Practical Art Books) (Bk. 1) Review

Airbrush: The Complete Studio Handbook (Practical Art Books) (Bk. 1)
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Airbrush: The Complete Studio Handbook (Practical Art Books) (Bk. 1) ReviewMr. Vero is an artist/philosopher. He'll start you off using gouache (opaque watercolor) and take you step by step to advanced techniques.
His chapter on "the shield" alone is worth the money. Others have now ripped his idea off to sell these shields, but save your money. Buy a piece of acetate and use the templates in this book. I rely heavily on his shield for my own work.
This man is an altruist, he is more concerned with teaching than with getting rich. Otherwise he could have marketed the shield himself instead of teaching you how to make it yourself.
This book is what did it for me and is a big reason why I stuck with it and worked hard to learn all I could.
As far as I'm concerned, this is the only airbrushing book you'll ever need. For the rest, study the art of the Old Masters, but with the insights that Radu Vero will give to you. Then you are on your way!Airbrush: The Complete Studio Handbook (Practical Art Books) (Bk. 1) Overview

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Creative Photoshop CS4: Digital Illustration and Art Techniques Review

Creative Photoshop CS4: Digital Illustration and Art Techniques
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Creative Photoshop CS4: Digital Illustration and Art Techniques ReviewThis is a project-based book for fairly experienced Photoshop users. It is not general Photoshop information or instruction for the uninitiated. It also seems to be geared to a niche category of designers, not the more conventional art, advertising, or photography market to which I belong. What follows are my subjective interpretations of the book's content.
The good points:
* Clearly explained thought process and workflow supported by equally clear and logical screen shots of Photoshop dialogs and, particularly, detailed layer stacks (so necessary to understand the sequence and the logic).
* The author is a more than a merely competent artist. His original art (sketches, cartoons, line drawings, photographs) are the basis for the projects in the book.
* The author knows how to teach. Not every artist or technically-skilled author knows how to put himself in the place of a reader with less knowledge or abilities and explain the how's and why's of the process.
* Originality in the use of Photoshop for unusual purposes. While you might, personally, not share his artistic vision, the projects do open your imagination to ideas you might not have otherwise considered and which can be made applicable to your own taste and interpretations. Excellent as a launching pad for your own brand of originality.
* Web downloads for the project materials, etc. It helps to do things his way first using the exact same illustrations shown in the book before going off in your own tangent with your own materials.
* Excellent organization. Each chapter/project begins with a synopsis explaining the project, what he hopes to achieve, how he will proceed, and the purpose of the exercise. I wish other Photoshop books would do this.
* Although a certain proficiency in Photoshop is assumed and probably required (i.e. knowledge of paths, pixel and vector masks, layers, selections, etc.) an experienced user can follow the text and screenshots to complete all the project steps.
* Excellent index and general organization.
* Excellent marginal notations: practical, on-point, clear, and just plain interesting.
* Probably the most original Photoshop book I've ever come across.
The not so good:
* I don't particularly care for his type of art (based on the genre of graffiti, tattoo, aliens, eyeballs, etc.). This is a problem because it is the art that sets the mood and 90% of the book is art I cannot relate to. Once I got past this, of course, I realized the actual techniques can be successfully adapted to any other graphic elements, but I wish there had been greater variety in the presentation.
* Our approaches to photography are polar opposites. He takes a photograph of a generic, middle-age woman and adds about 20-years worth of lines and wrinkles; sagging skin and chins; bags under the eyes and, possibly, a couple of terminal illnesses. I would take the same photo and try to make her skin smoother, her eyes brighter, and try to take 5-10 years off and an equal number of pounds. (Of course, what he does is so much more difficult than what I do that I might be displaying my jealousy here). Seriously, I did find this chapter extremely interesting and keep coming back to examine again how he did things. I don't plan to use it myself (unless I get really mad at someone!) but as an exercise in reverse engineering it is priceless.
* You have to keep in mind that this is not, strictly-speaking, a "Photoshop" book. Photoshop serves as a supplement to or support for the original art created in another medium (hand-drawn then digitized art, or art created digitally in Illustrator or some other vector drawing program). You either have to have access to or be able to create the art, then bring it into Photoshop and go on from there. (There are two exceptions, in which the projects are based on photographs.)
* Plain Photoshop is used for most projects, but for the 3-D project, Photoshop CS4 Extended is required.Creative Photoshop CS4: Digital Illustration and Art Techniques Overview

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100% Photoshop: Create stunning artwork without using any photographs Review

100% Photoshop: Create stunning artwork without using any photographs
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100% Photoshop: Create stunning artwork without using any photographs ReviewWe have quite a library of Photoshop books. We go back to Photoshop 2.0. Like Acrobat, Bridge, Dreamweaver, Illustrator, and InDesign, Photoshop is part of our daily diet. It's not easy to show us something new. Every page of this book either showed us something new, impressed or inspired us.
Though "100% Photoshop" is not specific to any version of the app, it's perfect to enjoy with CS5's new paint engine. Steve shows you how simple it is to create 8 captivating projects without using any photographs. Don't even think of saying, "I'm not an artist." You don't have to be. Steve's first chapter includes the fundamentals of his simple techniques on a step-by-step basis, complete with easy examples you can try yourself. You'll feel inspired enough to instead say, "I can do this!" (...and that's just chapter 1)!
From there, Steve takes you through how he creates an old-style glass window office door, an outer space scene, the contents of a desk's top drawer, science fiction art, the contents of an attic, a wild future electronic device, a fabulous outdoor scene, and the spooky image on the cover. As we read through this we went, "I didn't know you could do that."
It's a must-have for an good Photoshop library. (We didn't we think of doing this book)? Once you've done the step-by-step your inspired enough to do it too.
Cheers,
Brian Stoppee, President/Executive Producer
M2 Media Studios, Inc.
[...].100% Photoshop: Create stunning artwork without using any photographs Overview

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Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers Review

Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers
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Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers ReviewI'm thrilled that I finally have a book that tells how to digitally as well as manually color architectural and landscape drawings. It gives tips on using a scanner to get drawings or photographs into a layer of Photoshop and then how to manipulate the layers including opacity and filters. The technics for using markers and colored pencils to achieve realistic wood, rocks,leaves, water, and chrome are outstanding. Includes great tips on paper colors, and what to include or leave out of a drawing to give it visual punch. The entire 414 pages are drawings and tips specifically dedicated to the needs of architects, landscape architects, and interior designers though any graphic person would find tremendous value in this book.Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers Overview

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How to Draw Noir Comics: The Art and Technique of Visual Storytelling Review

How to Draw Noir Comics: The Art and Technique of Visual Storytelling
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How to Draw Noir Comics: The Art and Technique of Visual Storytelling ReviewEverything in the book is explained simply and clearly with lots of personal examples. He tries to address the many approaches to creating noir comics and does them well. For example when explaining the tools he used, he would talk on the type of ink to buy (fade and erase-proof), how to maintain them and choosing the right tools for the job.
The main bulk of the book deals with comic creation specific to noir style. He explains the ways to create mood, lighting and texture to aid the story. And also touches the comic creation part like paneling, pacing, creating drama, choosing backgrounds, using references and more. All the examples included are well caption to emphasis the techniques reviewed.
At the end of the book is a 16-page noir style graphic novel to show readers the finished product.
This book is a great introduction to noir comics and serves as a great reference.
You can view more of Shawn Martinbrough's work at Verge Entertainment, which is a company he founded with his partners.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)How to Draw Noir Comics: The Art and Technique of Visual Storytelling Overview

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Adobe Illustrator CS5 Revealed Review

Adobe Illustrator CS5 Revealed
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Adobe Illustrator CS5 Revealed ReviewThis book laid the information about the program out in an easy to understand way with simple to follow examples that helped make the program functions memorable. I would have been able to know how to use the program very well even without taking a class on it.Adobe Illustrator CS5 Revealed Overview

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